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WE ARE ALL CRIMINALS: DEMYSTIFYING AND BLURRING THE THIN DIVIDING LINE BETWEEN CONFORMITY AND CRIMINALITY

    Introduction: The Uncomfortable Truth   “We are all criminals.” The statement sounds outrageous. It offends our moral sensibilities. It appears to insult the honest citizen, the religious devotee, the respected public servant, the loving parent, and the law-abiding professional. Yet, before dismissing it as absurd, it is worth examining what we mean by crime, criminality, conformity, and deviance.   The central argument of this essay is simple, yet profoundly disturbing: the line separating the criminal from the conformist or law-abiding person is far thinner than society is willing to admit. Indeed, that line is often so thin, so fragile, and so dependent on circumstance that many of us stand on both sides of it simultaneously.   To understand this, we must begin where all discussions of crime properly begin – not with the criminal, but with the law.   Crime Exists Because Law Exists A crime is not merely a harmful act. It is not simply an ...

BETWEEN THE DEVIL AND THE DEEP BLUE SEA: ATTEMPTING TO SILENCE THE AKPOTI VOICE


The Anatomy of Power and Rebellion

Throughout history, power has sought obedience, and where it finds resistance, it seeks eradication. The clash between oppression and defiance is as ancient as governance itself. In the heart of Nigeria’s political theatre, this timeless struggle is playing out once more—a calculated attempt to erase the voice of Senator Natasha Akpoti-Uduaghan from the Senate, the political space, and ultimately, from the consciousness of the people she represents.

But power, like the ocean, is both fluid and formidable. Those who seek to wield it often mistake momentary control for permanence. And yet, the defiant ones—those who refuse to kneel—are the ones history remembers. Today, the battleground is Kogi Central, where the tides of political intrigue are clashing violently, threatening to drown truth beneath waves of deception.

The Art of Political Assassination

Senator Natasha Akpoti-Uduaghan is no stranger to controversy. Her journey in politics has been one of relentless pushback against entrenched interests. But even for a system notorious for silencing its challengers, the events unfolding around her recall attempt are audacious in both their intent and execution.

The first strike came under the gilded dome of the Senate itself—a six-month suspension, allegedly for "embarrassing" the institution. But the true offense? Speaking out. Speaking too loudly. Speaking inconvenient truths. The second strike followed soon after: a carefully orchestrated plot to erase her political legitimacy altogether, cloaked in the democratic veil of a recall process. But peel back the layers, and the machinery of manipulation is laid bare.The suppression of voices critical of the government is becoming a disturbing trend. A clear example is found in Military Checkpoints and the Erosion of Human Rights in Nigeria, The Akpoti Thorn in the Akpabio Flesh and The Price of  Free Speech in  the Tinubu Government.

The Conspirators and Their Playbook

According to Sahara Reporters, a backroom deal was brokered between Senate President Godswill Akpabio and former Kogi State Governor Yahaya Bello—an unholy alliance forged in secrecy, lubricated by $2 million (₦3 billion) in political currency (Sahara Reporters). Their mission? To manufacture a recall. Their method? Deception.

What unfolded next was a textbook case of political puppetry. Constituents were lured in with promises of economic relief—an empowerment scheme promising aid to the struggling masses. But the fine print was written in invisible ink. Those signing up for help were unknowingly signing their names to a petition aimed at ousting their representative. In a stroke of Machiavellian genius, the people themselves were turned into weapons against the very voice that sought to protect them.

Videos surfacing online expose the plot in action—bewildered citizens realizing, too late, that they had been used as pawns in a grander game (Sahara Reporters).

The Courts, The Chaos, and The Crossroads

Like all great political dramas, this one has found its way to the courtroom. A Federal High Court in Lokoja initially intervened, barring the Independent National Electoral Commission (INEC) from processing the fraudulent signatures. But power, ever relentless, does not take ‘no’ for an answer. Soon after, the ruling was overturned, paving the way for the recall attempt to proceed (Arise TV, Channels TV).

The people of Kogi Central now stand at a precipice. Before them lies a choice that transcends politics—a choice between complicity and resistance, between submission and self-determination.

The Spectre of Silence and the Weight of History

If history has taught us anything, it is that the first step to tyranny is the silencing of dissent. Power does not fear compliance; it fears the one voice that refuses to be drowned out. And yet, those who wield power often overestimate their dominion.

They forget that revolutions are not born from speeches delivered in marble halls, but from whispers in the market square. They forget that silence, when imposed, does not signify submission—it brews storms. And sometimes, the quietest moments in history precede the loudest reckonings.

Conclusion: A Reckoning is Coming

Senator Natasha Akpoti-Uduaghan's fate may be uncertain, but what is clear is this: the battle unfolding in Kogi Central is not just about one woman, one recall, or one political seat. It is a referendum on truth itself, a test of whether deception will triumph over democracy.

The tides of power will rise and fall, as they always have. But those who seek to rewrite history often find that history is not so easily manipulated. Because history remembers the rebels.

And history, it seems, is watching.

                                                    OKOM, Emmanuel Njor (PhD)

For an unfiltered look at how deception was used to manufacture the recall, watch:

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